Tag Archives: Michelangelo Antonioni

Restored Italian film spotlights a French icon

Alain Delon, the renowned French actor who rose to fame in the 1960s with iconic European films like “Purple Noon” (1960) and “The Leopard “(1963), passed away in August at 88. Known for his striking good looks and rebellious, aloof characters, Delon is considered one of French cinema’s most enigmatic figures. His characters had a lasting impact on international cinema during a career that spanned half a century. Delon was sought after by some of the most prolific Italian auteurs, including Luchino Visconti, Michelangelo Antonioni and Valerio Zurlini. The film that launched his Italian career was undoubtedly Visconti’s 1960 drama …

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Cinematic treasure features the work of 7 Italian legends

Screenwriter and director Cesare Zavattini was truly ahead of his time when he organized the 1953 film compilation “L’amore in città” (Love in the City), a collection of seven short film essays directed by Zavattini, Dino Risi, Michelangelo Antonioni, Carlo Lizzani, Francesco Maselli, Federico Fellini and Alberto Lattuada. The New York Times did a beautiful article on the collection in 2014 referring to Zavattini as “a pioneer of documentary fiction (sometimes called ‘hybrid cinema’), in which non-actors essentially play themselves, dramatizing their particular situations.” With the exception of Fellini’s short, in which he narrates something that happened to him but …

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New York’s Museum of Modern Art celebrates Antonioni

  Today kicks off the first complete retrospective in New York in more than a decade dedicated to the work of filmmaker Michelangelo Antonioni. Presented with Luce Cinecittà, Rome, and featuring nearly 40 35mm prints and digital preservations, the lineup includes the renowned trilogy of “L’Avventura,” “L’Eclisse,” and “La Notte,” starring Monica Vitti as well as a diverse collection of films spanning his varied four-decade career. Antonioni made a career out of mesmerizing audiences with his films of complicated relationships that raise questions but leave many of the answers to the viewer. In a 1969 interview with American film critic …

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