As any music historian will tell you, composer Gaetano Donizetti didn’t intend his three operas about Tudor queens as a trilogy. Written in separate years with different librettists, the operas focus on climactic and at times highly fictionalized moments in the lives of Anne Boleyn in “Anna Bolena,” Mary Queen of Scots in “Maria Stuarda” and Queen Elizabeth I in “Roberto Devereux.” While long looked upon individually as proving grounds for the greatest divas of our time, the trio was forever linked when Beverly Sills sang all three roles with the New York City Opera in the 1970s. Jumping forward …
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