Video series tracks evolution of sacred music in Catholicism

Print Friendly, PDF & Email

The official music of the Roman Catholic Church for hundreds of years was Gregorian chant, which consists of Latin verses sung to a solemn melody without accompaniment. The calm, ethereal tone of Gregorian chant was meant to set the musical stage for the prayers and rituals of the Mass. It was named after Pope Gregory I, who was credited with creating it, although it actually evolved over the course of centuries. Several thousand chants are known today and most of them date from 600-1300 A.D. However, there is virtually no record of the composers who created them.

Because of the role that instruments played in pagan rites, they were frowned upon by the church, and therefore most medieval music was vocal. Instruments, predominately the organ, were incorporated with increasing frequency after about 1100 and eventually became a regular accompaniment to vocals.

I recently discovered a video series that offers compelling commentary on the evolution of sacred music, beginning with the Gregorian chants of the 700s A.D.

Presented by Charles Edward McGuire, Ph.D., a professor of musicology at Oberlin College Conservatory of Music, “The Great Works of Sacred Music” is offered through the Great Courses Signature Collection and is available to stream on Amazon and Kanopy.

The series covers a lot of ground to say the least. I found Episode 5 to be the most interesting as it offers an in-depth look at works by Italian composers such as Giovanni Pierluigi da Palestrina’s “Sicut Cervus,” Claudio Monteverdi’s “Vespro della Beata Virgine” and Giovanni Gabrieli’s “In Ecclesiis.” The episode also covers the important role of Venice’s San Marco Cathedral in the music of the 16th and 17th centuries, in particular, the cori spezzati, a style of music incorporating multiple choirs.

To get to the series’ main page, click here then scroll down through the episodes.

To follow the series on Kanopy, click here.

 

About Jeannine Guilyard

Jeannine Guilyard is a longtime correspondent for Fra Noi and the Italian-American community newspaper in Rochester, N.Y. She has also contributed to the Italian Tribune of New Jersey, Italian Tribune of Michigan and L'Italo Americano of Southern California. Jeannine wrote and directed the short film "Gelsomina," which was selected for the Screenings Program of the 59th Venice Film Festival, and she won Emmy and Peabody awards as an editor of ABC's "Special Report" following the events of Sept. 11, 2001. Jeannine is also a writer and editor for Italian Cinema Today, a publication and blog she founded in 2005 to bridge culture between New York and Italy. Follow her on Instagram at Italianartcinema and on Twitter at @ItaloCinema2day.

Check Also

A short but powerful film resurrects Magnani

Known for her striking resemblance to Anna Magnani, Neapolitan actress Lucianna De Falco has ignited …

Leave a Reply

Your email address will not be published. Required fields are marked *

Want More?


Subscribe to our print magazine
or give it as a gift.

Click here for details