“From rags to riches” has been an extremely common literary theme since literacy began. One of its most popular variations is the “Cinderella” story, which itself has spawned oodles of variations. I myself created one such variation, a one-act musical play for my mostly African-American high school students with a pro football twist back in the ’70s. By far the best-known Cinderella tale is that of the Brothers Grimm, with the mean stepmother, two nasty stepsisters and a Fairy Godmother. In Rossini’s opera of 1817 (libretto by Jacopo Feretti) the stepmother is replaced by Don Magnifico, a stepfather, and …
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