Screenwriter and director Cesare Zavattini was truly ahead of his time when he organized the 1953 film compilation “L’amore in città” (Love in the City), a collection of seven short film essays directed by Zavattini, Dino Risi, Michelangelo Antonioni, Carlo Lizzani, Francesco Maselli, Federico Fellini and Alberto Lattuada. The New York Times did a beautiful article on the collection in 2014 referring to Zavattini as “a pioneer of documentary fiction (sometimes called ‘hybrid cinema’), in which non-actors essentially play themselves, dramatizing their particular situations.” With the exception of Fellini’s short, in which he narrates something that happened to him but …
Read More »Neorealism echoes through Zavattini’s long, storied career
Born in 1930, Arturo Zavattini is known for his work as a photographer, cinematographer and director of photography. His father, Cesare Zavattini, was a longtime collaborator of Federico Fellini and Vittorio De Sica, and Arturo practically grew up on film sets. He worked as an assistant and camera operator on famous Italian films such as “Il bidone,” “La dolce vita” and “Divorce Italian Style.” He also worked as an ethnographic photographer, accompanying anthropologist Ernesto de Martino on his famous expedition to Lucania in 1952. Being a teenager in Rome during the post-war years, Zavattini was influenced by the neorealist movement …
Read More »Fellini exhibit to open at Cinecittà
January 20, 2020, marks the 100th birthday of Fellini. To celebrate the event, Cinecittà will present him with a gift, Felliniana – Ferretti dreams of Fellini. The exhibit is housed in Cinecittà studios within the historic “Palazzina Fellini.” The work bears the signature of Dante Ferretti, the Oscar-winning scenographer who for Fellini was one of the magical architects of his visions, an artist-craftsman capable of giving shape to his dreams, and Francesca Lo Schiavo, a close associate of Ferretti, and an internationally acclaimed scenographer and set decorator. The exhibition offers full immersion into Fellini’s imagination as well as the dreamlike …
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