The second collaboration with the librettist Da Ponte, “Don Giovanni” is rightfully considered one of Mozart’s highest accomplishments and is one of the gold standards of the operatic repertory. Based on the figure of Don Juan, Don Giovanni is a serial seducer, causing mayhem indiscriminately until he reaps his just rewards. The Lyric Opera of Chicago opened their run of “Don Giovanni” on November 14 to a packed and appreciative house. Running through December 8, it’s a production well worth seeing. Transported to 1920s Spain, the sets and costumes are a feast for the eyes. A true ensemble piece, the …
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“Dramma giocoso.” That’s what the man said. We have noted previously that Mozart’s “Don Giovanni” is the “Hamlet” of opera, meaning that there has been more criticism and analysis of this work than any other of its kind. And most of the writing stems from this “dramma giocoso” deal. Literally translated it’s a paradoxical phrase. “Dramma” means serious or tragic and “giocoso” means comical or funny. Italian playwright and librettist Carlo Goldoni coined the term in the mid-18th Century for works of his that had character types from both “opera seria” (tragic, or serious opera) and “opera buffa” (comic opera) …
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