The opening night performance of Donizetti’s “Anna Bolena” heralded the best all-around production of an Italian opera staged thus far this season by Chicago’s Lyric Opera. I was a bit surprised, because historically, typical Bel Canto works like this one are treated a little like orphans or grumpy uncles — “You’re welcome to sit at the table, but please, take a seat at the other end!” But then again perhaps “Anna Bolena” is not all that typical a Bel Canto opera after all. While most definitely a “number” opera (that is, one vocal or choral stand-alone piece strung together one …
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